- URN: 22.19
- Artist Name : ROWLANDSON, Thomas
- Artwork Name: Dr Syntax: At Liverpool (1) - c.1812
- Printing Process: Aquatint Etching
- Support Surface: Paper
- Overall Size (w x h, cms): 25.5 x 16 cms
- Image Size (w x h, cms): 19 x 11 cms
- Price: £25.00
- Locale of work: England, Liverpool, Merseyside
- Category: Prints
- Print Category: Antique Prints And Cartoons & Illustrations
- Subject Category: Buildings And Cartoons - Illustrations And Portraiture
- Colour: Colour
- Colour Application: Original Hand Colour
- Verso: May be faint text imprint from opposite page (not visible from front of print unless stated otherwise).
- Condition of Artwork: Very good - minor age toning, very minor light foxing.
- Publisher: Published by Rudolph Ackermann, 1st May 1812, at R. Ackermann's Repository of Arts 101. Strand, London.
- Publication Magazine: The Tour Of Dr Syntax In Search Of The Picturesque, A Poem. (c.1812)
- Edition Series Volume: Plate 22.
- Notes: An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were written by William Combes and released in three separate publications, or tours: "The Tour of Dr Syntax in Search of the Picturesque. A Poem" (1812); "The Second Tour in Search of Consolation" (1820) and "Third Tour in Search of a Wife" (1821). The verses and poems were written by William Combes and his original sketches were taken on and etched by Thomas Rowlandson, who illustrated all three tours. Rowlandson's designs were usually done in outline with the reed-pen, and delicately washed with colour. They were then etched by the artist on a copper plate, and then aquatinted—usually by a professional engraver, the impressions being finally coloured by hand. This artwork is entitled 'Dr Syntax: At Liverpool', and is Plate 22 from "The Tour of Dr Syntax in Search of the Picturesque. A Poem", the first tour. Published first in the 'Poetical Magazine' and later by Rudolph Ackermann again on 1st May 1812, at R. Ackermann's Repository of Arts 101. Strand, London.
- Further Information: Dr Syntax was a satirical character created by William Combe, a British writer working in the late 18th and early 19th century. The character was conceived as a cruel but clever jibe at William Gilpin; an English artist and Anglican cleric best known as one of the originators of the idea of ‘the picturesque’. The following gives a brief history of The Dr Syntax Series. The key players are: William Combe – who produced the original sketches and wrote the Poems of ‘Dr Syntax’. Thomas Rowlandson – who drew and etched the final designs for ‘Dr Syntax’. ‘Dr Syntax’ – the subject of this series was a satirical character based on, directed at and intended to mock, the activities of William Gilpin. (Sawrey Gilpin, to avoid any confusion, was the brother of William Gilpin, and an artist in his own right.) William Sawrey Gilpin – the son of Sawrey Gilpin and nephew of William Gilpin. William Sawrey was the illustrator of his Uncle William Gilpin’s books and publications discussing ‘the picturesque’; the pursuit of which was the consuming endeavour of Dr Syntax in his first Tour. William Gilpin and ‘the Picturesque’: William Gilpin was an English artist, author, schoolmaster and Anglican cleric, best known for devising and theorising the idea of ‘the picturesque’. In 1768 Gilpin had published his popular ‘Essay on Prints’ where he defined the picturesque as '"that kind of beauty which is agreeable in a picture" and began to expound his "principles of picturesque beauty", based largely on his knowledge of landscape painting. During the school holidays William Gilpin travelled extensively and applied his theories and principals of ‘the picturesque’ to the landscapes he saw, recording his thoughts and sketches in his notebooks. These journals from his tours in search of ‘the picturesque’ were circulated in manuscripts to friends, such as the poet William Mason, and a wider circle including Thomas Gray, Horace Walpole and King George III. Based on his travels in the summer of 1770 Gilpin published “Observations on the River Wye and several parts of South Wales, etc.” in 1782, again primarily relating to 'Picturesque Beauty'. This was illustrated with plates based on Gilpin's sketches, etched by his nephew William Sawrey Gilpin using the new aquatint process. There followed “Observations on the Lake District and the West of England” and, after his move to Boldre in Hampshire, he also wrote “Remarks on Forest Scenery, and other woodland Views ...” (London 1791). Although remembered for his conceptualisation of ‘the picturesque’, William Gilpin also lives on as the model for the satirist William Combe's devilishly mocking Tour of Dr Syntax in Search of the Picturesque (1809), brilliantly illustrated by Thomas Rowlandson. The Tours of Dr Syntax, Poems and Verses by William Combe and, etchings and aquatinting by Thomas Rowlandson: William Combe was a British writer and poet working in the late 18th and early 19th century. He is best known for writing The Three Tours of Doctor Syntax, a series of verses and comic poems following Dr Syntax; a character of Combe's own creation intended to unsubtly satirise the writer William Gilpin, who toured Britain to describe his theory of 'the picturesque'. The story and legacy of the Syntax series began whilst Combe was writing for Rudolph Ackermann's 'Poetical Magazine' between 1809 and 1811, and was to come to full life and fruition through a partnership with a young artist and etcher, Rowlandson. At this time, Thomas Rowlandson (1756 - 1827) an English artist, was also largely under the employment of Ackermann. Rowlandson had begun working on caricatures following the example of friends James Gillray and Henry William Bunbury, who had suggested caricature as a means of earning a living during tough times of poverty. In 1809 Ackermann, the art publisher, issued in his Poetical Magazine 'The Schoolmaster's Tour'—a short series of plates with illustrative verses written by Dr. William Combe and depicted by Rowlandson's etchings. They were the most popular of the artist's works to date, and the beginning of a successful marriage between Combe's witty verses and vision and Rowlandson's humorous, artistic exaggeration and skilled draughtsmanship. Shortly after this first series of poems, the full Tour was published separately in 1812. Again engraved by Rowlandson himself and issued under the title of the "The Tour of Dr Syntax in Search of the Picturesque, a Poem", they had attained a fifth edition by 1813, and were followed in 1820 by "The Second Tour of Dr Syntax in Search of Consolation, a Poem", and in 1821 by "The Third Tour of Dr Syntax in Search of a Wife, a Poem". The process of aquatint was now relatively well established. William Sawrey Gilpin, nephew to William Gilpin, had been one of the first to use the process commercially when he was illustrating his uncle's notes on 'the picturesque' in around 1782 – so the use of aquatint was apposite for Rowlandson in satirising Gilpin's work. Rowlandson's designs were usually done in outline with a reed-pen, and delicately washed with colour. They were then etched by the artist on a copper plate, and then aquatinted—usually by a professional engraver, the impressions finally being coloured by hand. As a designer, Thomas Rowlandson was characterised by his facility and ease of draughtsmanship. He dealt less frequently with politics than his fierce contemporary, Gillray, but commonly touched on the various aspects and incidents of social life with a gentle and light-hearted spirit. His most artistic work is to be found among the more careful drawings of his earlier period; but even among the exaggerated caricature of his later time we find hints that this master of the humorous might have attained to the beautiful had he so willed. His artwork made a wonderful pairing with William Combe's poems which were descriptive and moralizing verses of a somewhat doggerel type; Dr Syntax (and essentially William Gilpin) was depicted as a poor curate setting off on his straggly mare, Grizzle, in a quest for picturesque scenery, often (and usually to his discomfort) oblivious to the realities of the world around him. The Dr Syntax series proved exceedingly popular and an immense success, also in part due to the accomplished illustrations by Rowlandson which brought the fictional character to life. It was to be that both Rowlandson and Combe would become inseparably linked with the character of Dr Syntax, and the humorous joy he and his poems have brought to art lovers and collectors all over the world and to this day. We are pleased to have a good selection of original illustrations from all three of the Tours of Dr Syntax, which we offer here on The Midhurst Gallery's website at competitive prices.
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View more of ROWLANDSON, Thomas >
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Dr Syntax: Amused With Pat In The Pond An original and antique aquatint etching by Thomas Rowlandson, created in c.1820. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: At A Review An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Returned From His Tour (1) An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: At The Funeral Of His Wife An original and antique aquatint etching by Thomas Rowlandson, created in c.1820. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: At Liverpool (1) An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Losing His Way An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Visits Eaton Hall, Cheshire An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Meditating On The Tomb Stones (1) An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Taking Possession Of His Living An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Lamenting The Loss Of His Wife An original and antique aquatint etching by Thomas Rowlandson, created in c.1820. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: The Doctor's Dream An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Pursued By A Bull (2) An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Returned From His Tour (2) An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Soliloquising An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Meditating On The Tomb Stones An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Meditating On The Tomb Stones (2) An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: & The Bees An original and antique aquatint etching by Thomas Rowlandson, created in c.1820. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Loses His Wig An original and antique aquatint etching by Thomas Rowlandson, created in c.1820. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Tumbling Into The Water (1) An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Preaching An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Sketching The Lake An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: At Liverpool (2) An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Tumbling Into The Water (2) An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Sketching After Nature An original and antique aquatint etching by Thomas Rowlandson, created in c.1812 - this however is a later version published in 1818. From the series....
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Dr Syntax: Drawing After Nature An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: _ Rural Sports An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: Setting Out On His Tour To The Lakes An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: At Liverpool (1) An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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Dr Syntax: At Liverpool (2) An original and antique aquatint etching by Thomas Rowlandson, created in c.1812. From the series of poems and comic versus about 'Dr Syntax' which were....
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St Mary's Hospital Chichester, Sussex. An antique copper engraving drawn by T. Higham in around 1820 and engraved by J. Greig. This artwork is uncoloured and shows 'St Mary's Hospital....
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Chichester Market Cross A Lithograph Print from an original Pencil and Watercolour by Adrian Hill in circa 1945. The original watercolour was from 'Recording Britain'; a collection of topographical....
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Easebourne A charming etching of an old cottage in Easebourne, a small village adjoining Midhurst which is the home of The Midhurst Gallery where we have....
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Cowdray Cottage A charming etching of 'Cowdray Cottage' in the market town of Midhurst, West Sussex; the home of The Midhurst Gallery where we have been established....
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The Anchor, Liphook & The Porch An antique etching of 'The Anchor' and 'The Porch' in Liphook. The Anchor, which is now a popular public house and restaurant serving as 'the....
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Honfleur 1 An original oil painting on canvas by Paul Masset. Created in 2014 and hand signed by the French born artist. The image measures 55 x 33....
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Parish Church, Midhurst. A rare antique steel engraving of Midhurst Parish Church as it stood in the late 19th century. This artwork's artist is unattributed, but it was engraved....
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Cowdray Park Chromolithograph (2) An original antique 1870 chromolithograph of Cowdray Park Ruins in Midhurst, West Sussex. This image was drawn by Alexander Lydon (1836 - 1917) and printed....
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North Street, Chichester 107/850 A very attractive limited edition print, by the British born artist Philip Martin. This print shows a view of North Street in Chichester, near Midhurst....
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Petersfield 501/850 A very attractive limited edition print, by the British born artist Philip Martin. This print shows a view of Petersfield, a small town near Midhurst....
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Midhurst 286/850 A very attractive limited edition print, by the British born artist Philip Martin. This print shows a view of one of the old street corners....
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Knockhundred Row, Midhurst (1) An antique lithograph print of a watercolour painting by Wilfrid Ball (R. E.). This print shows Knockhundred Row in Midhurst, West Sussex painted by the....
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Mill Pond, Midhurst (1) An antique lithograph print of a watercolour painting by Wilfrid Ball (R. E.). This print shows 'Mill Pond' in Midhurst, West Sussex (which is now....
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Mill Pond, Midhurst (2) An antique lithograph print of a watercolour painting by Wilfrid Ball (R. E.). This print shows 'Mill Pond' in Midhurst, West Sussex (which is now....
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The Spread Eagle Hotel, Midhurst (B&W) This is a modern digital print from an original drawing by Roger N. Calton showing The Spread Eagle Hotel in Midhurst, West Sussex. This artwork....
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The Public Library, Midhurst (B&W) This is a modern digital print from an original drawing by Roger N. Calton showing The Public Library on Knockhundred Row in Midhurst, West Sussex.....
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Midhurst Pond (B&W) This is a modern digital print from an original drawing by Roger N. Calton showing 'South Pond' in Midhurst, West Sussex. This artwork was completed....
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Midhurst Ruins (B&W) This is a modern digital print from an original drawing by Roger N. Calton showing Cowdray Ruins with the River Rother flowing in the foreground,....
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The Public Library, Midhurst (1) This is a modern digital print from an original watercolour by Roger N. Calton showing The Public Library on Knockhundred Row in Midhurst, West Sussex.....
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Midhurst Ruins (1) This is a modern digital print from an original watercolour by Roger N. Calton showing Cowdray Ruins with the River Rother flowing in the foreground,....
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King Edward VII Hospital, Midhurst This is a modern digital print from an original watercolour by Roger N. Calton showing the now closed Kind Edward VII Hospital in Midhurst, West....
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Cobden's Birthplace, at Midhurst (1). A small attractive wood engraving, from an unconfirmed publication. Although we cannot attribute a date to this artwork, we can guarantee that it is over....
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Woodsome, Fernhurst URN: 2.44. An Original Oil Painting on board by Francis Hurst Eastwood. Created circa 1930 by the British born artist. The image measures 27 x 19....
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The Ladies' Lawn At Goodwood An antique copper engraving making up a partial page of the August 6th, 1864 edition of The Illustrated London News. This engraving shows the crowds....
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Goodwood House - Scene In The Park. / Road Through Goodwood Park. / Mr George Payne - Steward. (1) An original full page from the August 3rd, 1844 edition of The Illustrated London News; showing three detailed wood engravings. The first at the top....
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Goodwood Races - Weighing In. / Prize Plates Incl. "The Cup." / Gypsies In The Park / The Road...(1) An original full page from the August 3rd, 1844 edition of The Illustrated London News; showing four detailed wood engravings. The first at the top....
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Goodwood Races (1) The Road From The Railway Station /Going To The Races -High Street, Chichester... An original full page from the August 1st, 1846 edition of The Illustrated London News; showing three plates of detailed wood engravings depicting the journey....
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Goodwood Races - The Road From The Railway Station. / Going To The Races - High Street, Chichester. An original full page from the August 1st, 1846 edition of The Illustrated London News; showing three plates of detailed wood engravings depicting the journey....
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Old Midhurst An original artwork in pen & ink on paper, by the artist Martin Millard. This is a lovely original work entitled 'Old Midhurst', compiling four....
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H. G. Wells In Midhurst An original artwork in pen & ink on paper, by the artist Martin Millard. This is a lovely original work entitled 'H.G. Wells in Midhurst',....
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Cowdray House Ruins An original artwork in pen & ink on paper, by the artist Martin Millard. This work is entitled 'Cowdray House Ruins', and despite its modest....
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Midhurst Scenes An original artwork in pen & ink on paper, by the artist Martin Millard. This is a lovely original work entitled 'Midhurst Scenes', compiling six....
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Bosham 118/850 A very attractive limited edition print, by the British born artist Philip Martin. This print shows a view of the Bosham harbour at high tide,....
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Haslemere 717/850 A very attractive limited edition print, by the British born artist Philip Martin. This print shows a view down the main high street of Haslemere,....
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Petworth 143/850 A very attractive limited edition print, by the British born artist Philip Martin. This print shows a view down one of Petworth's quaint little lanes....
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Arundel 495/850 A very attractive limited edition print, by the British born artist Philip Martin. This print shows a view of the river Arun running through Arundel....
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Petworth 144/850 A very attractive limited edition print, by the British born artist Philip Martin. This print shows a view down one of Petworth's quaint little lanes....
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Harbour Scene An intriguing oil painting showing an attractive, bustling harbour scene with buildings and boats lining the edges of the harbour and water. This is an....
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Chichester Cathedral Chichester Cathedral in c.1844 - Antique woodcut/ wood engraving by Jackson. Mounted.
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Chichester Cathedral Lithograph Chichester Cathedral in c.1908 - Antique colour lithograph by William Wiehe Collins (RI).
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Le Midi Le Midi by Paul Masset. An original work in pastel on sanded pastel paper, this artwork measures 32 x 43cm. Signed in the lower right....
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White Villages, Spain White Villages, Spain by Paul Masset. An original work in oil on canvas, this artwork measures 101 x 69cm. Signed in the lower right and....
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View Of Rouen View of Rouen by Paul Masset. An original work in oil on canvas, this artwork measures 78 x 69cm. Signed in the lower right and....
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Bekaa Valley, Lebanon Bekaa Valley, Lebanon by Peter Norton (1913 – 1995). An original work in pastel on sanded pastel paper, this framed artwork measures 58.5 x 47cm....
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The Gate The Gate by Peter Norton (1913 – 1995). An original work in pastel on sanded pastel paper, this artwork measures 59 x 48cm. Signed in....
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Compton Fair Compton Fair by Peter Norton (1913 – 1995). An original work in pastel on sanded pastel paper, this artwork measures 41 x 33.5cm. Signed in....
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